“三言”性别话语的叙事生成与审美表征
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张梦晓
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长春理工大学，吉林长春，130022
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摘要：“三言”以市井婚恋、家庭纠纷与伦理冲突为主要叙事内容，是考察晚明性别关系和通俗小说艺术机制的重要文本。作品中的性别话语是在传统礼教、宋明理学与晚明市民审美的共同作用下生成，其中女性形象既受贞节伦理与家族秩序规训，又在情感表达、才智展现和主动行动中显露女性主体意识。通过对“三言”性别话语的文化生成、叙事机制与审美表征进行分析可见，作品中的女性人物命运、故事母题、叙事评价、空间意象和情理冲突，共同构成了复杂的艺术结构，呈现出礼教规训与人情表达并存的审美张力。
关健词：“三言”；性别话语；女性形象；叙事伦理；审美表征
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The Narrative Formation and Aesthetic Representation of Gender Discourse in Sanyan
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Mengxiao Zhang
Changchun University of Science and Technology，Changchun Jilin 130022，China
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Abstract：Sanyan is centered on urban love affairs, family disputes, and ethical conflicts. It is therefore an important text for examining gender relations in the late Ming dynasty, as well as the narrative and aesthetic features of vernacular fiction. The gender discourse in these works is shaped by the combined influence of traditional ritual ethics, Song-Ming Neo-Confucianism, and late Ming urban aesthetic taste. Female characters in Sanyan are constrained by the ethics of chastity and the family order, yet they also demonstrate a degree of female agency through emotional expression, intellectual ability, and active participation in the plot. An analysis of the cultural formation, narrative mechanisms, and aesthetic representations of gender discourse in Sanyan shows that female characters' destinies, story motifs, narrative judgments, spatial imagery, and conflicts between emotion and moral order together create tension between ethical discipline and human feeling.
Keywords : Sanyan；Gender Discourse；Female Images；Narrative Ethics；Aesthetic Representation
参考文献
[1] 黎荔.论“三言二拍”中的女性主义意识[J].绵阳师范学院学报,2019,38(12):96-99+116.
[2] 刘果 .“三言”性别话语研究 [M]. 北京 : 中华书局,2008.
[3] 罗宗宇 . 如何做实文学的性别话语研究——兼评《〈三言〉性别话语研究》[J].湖南大学学报(社会科学版),2010,24(04):163+161.
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