新质生产力驱动下大运河景观艺术的范式嬗变与发展路径——以德州段为实证样本
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李岩斌
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德州学院，山东德州，253000
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摘要：作为中华文明标志性的线性文化遗产，大运河景观艺术系统沉淀了跨越千年的漕运文明脉络、地域审美范式与传统工匠技艺精髓。在新质生产力跃升为文化高质量发展核心驱动力的时代语境下，大运河景观艺术正经历从固态遗存保护向活态文化传承、从单一维度视觉审美向多模态沉浸体验、从设计师主导式创作向多元主体协同共创的根本性范式嬗变。本文以大运河德州段为实证研究对象，立足艺术理论与设计学交叉研究视角，系统梳理大运河景观艺术的历史美学维度，深度剖析当前发展中存在的审美价值消解、历史叙事断裂与核心主体缺位等结构性困境，阐释新质生产力对景观艺术本体论、认识论与方法论的深层重构逻辑，并从生态美学表达、文化叙事转化、多元共创机制与全域艺术生态四个维度，构建德州大运河景观艺术高质量发展的实践框架，旨在为线性文化遗产的当代艺术转化提供可复制的理论参考与实践范式。
关健词：新质生产力；大运河景观艺术；范式嬗变；文化当代转化；德州段
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Paradigm Evolution and Development Path of Grand Canal Landscape Art Driven by New Quality Productive Forces: An Empirical Study of Dezhou Section
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Yanbin Li
Dezhou University,Dezhou Shandong 253000,China
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Abstract：As an iconic linear cultural heritage of Chinese civilization, the landscape art system of the Grand Canal has precipitated the millennium-old context of water transport civilization, regional aesthetic paradigms and the essence of traditional craftsmanship. In the era when new quality productive forces have become the core driving force for high-quality cultural development, the landscape art of the Grand Canal is undergoing a fundamental paradigm evolution from solid heritage protection to living cultural inheritance, from single-dimensional visual aesthetics to multi-modal immersive experience, and from designer-led creation to multi-subject collaborative co-creation. Taking the Dezhou section of the Grand Canal as the empirical research object, based on the interdisciplinary research perspective of art theory and design science, this paper systematically sorts out the historical aesthetic dimension of the Grand Canal landscape art, deeply analyzes the structural dilemmas such as the dissolution of aesthetic value, the fracture of historical narrative and the absence of core subjects in the current development, explains the deep reconstruction logic of new quality productive forces on the ontology, epistemology and methodology of landscape art, and constructs a practical framework for the high-quality development of Dezhou Grand Canal landscape art from four dimensions: ecological aesthetic expression, cultural narrative translation, multiple co-creation mechanism and global art ecology. It aims to provide replicable theoretical references and practical paradigms for the contemporary artistic transformation of linear cultural heritage.
Keywords : New Quality Productive Forces;Grand Canal Landscape Art;Paradigm Evolution;Contemporary Cultural Translation;Dezhou Section
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